In Search of Altitude - Kilimanjaro in the Low Season (rainy season)

In Bolivia I spent significant time at around 14,000 ft.  It was wonderful, refreshing and sure as hell made my lugs feel amazing when I got back to NYC.  In India I spent some time up around 17,000 ft (by motorcycle) and it was also amazing.

So on somewhat of a whim, after booking a small shoot in Tanzania, I decided I'd stay and give Kilimanjaro a go  (with a top altitude of 19,000+).  The only sang was that it was the low season.  I decided to go somewhat last minute and didn't have a lot of time to do research, but from what I did read, everyone said "DON'T GO IN APRIL. IT'S THE RAINY SEASON.  WE DO NOT ADVISE HIKING IN THE LOW SEASON."  

Don't get me wrong, I hate cold rain, but I also hate crowds, so I decided to go for it.  I was recommended a local guide, Emmanuel Motto, by a friend that spent some time in Tanzania.  I couldn't bring everything I needed for the trek, since my bags were already filled with camera gear, but Emmanuel was able to hook up the missing gear.  The number one element that is going to effect your experience on Kilimanjaro is your guide / company.  By park rule, you have to have a guide with you, and the quality of care, safely, meals, and treatment of any additional support crew will come down to who you hire.  I was extremely happy with Emmanuel and his company Origin Trails, and would highly suggest them if you are looking for a more catered hiking experience.  Emmanual was so incredibly responsive to all my crazy filming request and detours. Check them out @ www.origintrails.co.tz

Since there is so much already written about hiking Kilimanjaro, I'm going to only add a few things:

1. You can 100% hike Kilimanjaro in the low season (April, May & November).  If you are lucky, you won't see a drop of rain (like I did).  If you aren't lucky, you'll get poured on, but at least you won't be sharing the summit with a hundred people.

2. Even the busiest routes are nearly deserted in the low season.  Every night I had a hut to myself, including a 11 room bunk at Kibo camp.  I don't know about you, but I love the outdoors for the quietness and isolation.  I spent 3 hours on the top of Kilimanjaro, and didn't see another sole.  I took a short nap under the "highest point" marker, while in the high season I heard you have to wait in line to get your photo with the sign.  In my opinion, the risk of rain and nasty whether, is much preferred to packed trails. 

3. You absolutely do NOT need to leave for the summit at midnight.  While this is considered "traditional," you can also leave at 5am.  While you won't get to summit for sunrise, it will let you get more sleep.  

4. Protect your lips and skin from the intense sun.  Before we reached the summit, it snowed.  It was beautiful, but also created some of the most intense sun exposure I have ever experienced. 

5. If you are an avid hiker, the biggest challenge of Kili is the Altitude, not the hiking.  In fact I was a little disappointed by the lack of skilled needed.  I found even at the rim, nothing was more technical then what I can hike 2 hours outside NYC.  However, when the altitude starts to get to you, it is nice to not be in danger of falling off any cliffs. 

6. Be careful what you eat as you get higher up the mountain.  I was handling the altitude extremely well.  After getting to Kibo camp (15,500 ft), I was out doing rock scrambles and having a blast.  I had a pretty hearty dinner, and went to bed.  I woke up around midnight with a belly full of fire.  I tossed and turned and finally got a little more sleep before leaving for the summit at 5am.  By the time I reached the rim, my stomach was in knots.  My head was fine. My breathing was fine.  My energy was fine, but boy did my stomach hurt.  I powered through it, reached the summit, but the hike back down to Kibo was terrible.  After a short nap at Kibo, I was feeling better, but there was a minute where I imagined needing to be taken down by stretcher! 

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Salero Festival Premiers

Festival teaser for Salero, directed by Mike Plunkett.

If you go back throw my blog you'll see I spent a lot of time in Bolivia working on a feature doc (untitled at the time). Well, the film is finished and starting to make the festival rounds. It premiered at IDFA (International Documentary Festival Amsterdam) last fall, and now has two major US premiers. It will be making its West Coast premier at the San Francisco film festival and its east coast Premier at Full Frame! Below is a short write up from the San Francisco catalogue:

"Moises Chambi Yucra and his family stand at the crossroads of time. For generations, they have has made a humble living harvesting salt from Bolivia’s Salar de Uyuni, the world’s largest salt flat, but beneath Uyuni sit massive amounts of lithium, a mineral instrumental in powering smartphones and electric vehicles. With stunning cinematography that captures both the vibrancy and the solitude of the land and life, director Mike Plunkett captures the final days of an age-old way of life."

More info and screening dates @ www.salerofilm.com/

San Francisco International Film Festival 2016 April 21 - May 5
Full Frame Documentary Film Festival 2016 Durham, North Carolina April 7 - 10
International Documentary Film Festival Amsterdam (IDFA) 2015 November 19 - 28

Credits: Directed by MIKE PLUNKETT
Featuring MOISES CHAMBI YUCRA
Edited by ANDREW BLACKWELL and PAX WASSERMAN
Composer ADAM BRYANBAUM WILTZIE
Director of Photography ANDREW DAVID WATSON
Co-producers AARON RABIN and NOAH BLOCK-HARLEY
Executive Producers PHILIPP ENGELHORN, MICHAEL RAISLER and PAUL MEZEY
Produced by ANNA ROSE HOLMER, ANDREW GOLDMAN and MIKE PLUNKETT

SUPPORTED BY:
The John D. and Catherine T. MacArthur
Foundation San Francisco Film Society Documentary Film Fund
New York State Council on the Arts
Gucci Tribeca Documentary Fund
Tribeca Film Institute
Independent Filmmaker Project Paley Center for Media in Association with Snagfilms

 

Motorcycles in Chennai!

I started 2016 off with an awesome week long shoot in Chennai, India for Royal Enfield & W+K! Working with the New Delhi office of W+K, I was tasked with Directing/DPing the "development" story of the New Royal Enfield Himalayan, a lightweight adventure bike. The final project incorporated footage from a previous motorcycle trip I took through Ladakh (the northern tip of India), archival testing footage from Royal Enfield, and new footage we shot on our week long trip. We spent a good chunk of the trip at the Royal Enfield Factories, which was a dream come true! It was amazing to see the legendary Royal Enfield factory (Which has been functional since the 1940s) and also the new Royal Enfield high tech factory south of Chennai. Even eating in the mess hall was awesome!

After we finished up with interviews and factory footage, we headed up to Andhra Pradesh, to film some riding footage with the new Himalayan. While the shoot was demanding, my awesome camera opt Andy Whitlatch managed to snap a few BTS photos.

One last note, the crews in Chennai are wonderful! The production, while challenging on many levels, went off super smooth thanks to amazing local support!

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And here is one of the final edits:

 

Xenon Primes

At the end of the last year I decided it was time to invest in a set of lenses. While I love Cooke S4s and Ultra primes, they are a bit out of my budget for an everyday set of lenses. After a ton of research, I pulled the trigger on a set of Schneider Xenon Primes. The Xenons have some great features, such as very little breathing, switchable from PL to EF, uniformed size and they also cover full frame sensors. But the thing I really love about the Xenons is how well the lenses are color matched and also how the lenses render skin tones. The bokeh is also wonderful. The Xenons have a more natural look then Canon, but not as contrasty as the CP2s. So far I have mounted the Xenons on the Amira, Red Epic, FS7 and Canon c300, samples of a few combos below.

VASQUE

Over the summer I headed out to Seattle to direct a mini doc for the hiking boot company Vasque. The short film profiles David Page, a legendary outdoor footwear cobbler. We spent a day in Dave Page's shop and then a day on the trail with some of his loyal customers. Nothing beats getting to hike on a shoot!

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RED WING HERITAGE | ITALY

The very first shoot I got to use my new Xenons on was a profile of Yoji Tokuyoshi for Red Wing Heritage. We shot the project in January of 2015. You can see I hadn't picked up a 114 to 100 step down rig and was instead using a foam donuts, which worked just as well.

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COKE ZERO | BILLBOARD

Another cool project I shot with the Xenons this past year was a doc style spot for Coke Zero & Ogilvy. I don't have any BTS photos from this project, but here is one of the many edits that came out of the project.

THE NEW YORKER | THE MOST RECOGNIZABLE VOICE

And I almost forgot this New Yorker Piece, shot with a combo of the FS7 (for the interviews) and Canon c300 for the b-roll. (except Macro shots, which was with a Canon 100mm macro)